"Quite right, my dear: I'm a rank bigot—about that sort of thing!" and Mrs. Gereth jerked her head at the contents of the house. "I've never denied it. I'd kidnap—to save them, to convert them—the children of heretics. When I know I'm right I go to the stake. Oh, he may burn me alive!" she cried with a happy face. "Did he abuse me?" she then demanded. "Superstitious?"!

"By not looking like a fool!" cried Mrs. Gereth very sharply. She kissed her, however, on the spot, to make up for this roughness, and summarily took off her hat, which, on coming into the house, our young lady had not removed. She applied a friendly touch to the girl's hair and gave a businesslike pull to her jacket. "I say don't look like an idiot, because you happen not to be one, not the least bit. I'm idiotic; I've been so, I've just discovered, ever since our first days together. I've been a precious donkey; but that's another affair." She checked him with a gesture. "Don't tell me what she did!" She had colored up to her eyes, where, as with the effect of a blow in the face, she quickly felt the tears gathering. It was a sudden drop in her great flight, a shock to her attempt to watch over what Mona was entitled to. While she had been straining her very soul in this attempt, the object of her magnanimity had been pronouncing her "not honest." She took it all in, however, and after an instant was able to speak with a smile. She would not have been surprised to learn, indeed, that her smile was strange. "You had said a while ago that your mother and I quarreled about you. It's much more true that you and Mona have quarreled about me."

The back road had apparently been fatiguing to Mrs. Gereth; she rose there rather white and wan with her walk. A certain sharp thinness was in her ejaculation of "Oh!"—after which she glanced about her for a place to sit down. The movement was a criticism of the order of events that offered such a piece of news to a lady coming in tired; but Fleda could see that in turning over the possibilities this particular peril was the one that during the last hour her friend had turned up oftenest. At the end of the short, gray day, which had been moist and mild, the sun was out; the terrace looked to the south, and a bench, formed as to legs and arms of iron representing knotted boughs, stood against the warmest wall of the house. The mistress of Ricks sank upon it and presented to her companion the handsome face she had composed to hear everything. Strangely enough, it was just this fine vessel of her attention that made the girl most nervous about what she must drop in. "Quite a 'demand,' dear, is it?" asked Mrs. Gereth, drawing in her cloak. The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture! "Oh no, back to town. I'll write to you to-morrow."